This exhibition features a diverse set of artworks in several genres. There is a few paragraphs of the blurb I found helpful.
With its distinctive fusion of styles and influences, the art of Eko Nugroho defies categorisation.
Working across drawing, painting, sculpture, animation and embroidery, this acclaimed Indonesian artist draws inspiration from Javanese traditions such as wayang theatre and batik, as well as street art, science fiction, comic books and other forms of popular culture.
His immersive installation Lot lost 2013-15 takes us to the streets of Yogyakarta, the artistic and revolutionary capital of Indonesia where Nugroho has been based for the past two decades. The work presents a finely attuned, darkly humoured and – as always – wildly imaginative look at everyday life and politics in Indonesia.
The works vary from cartoon style creations on the floor to large single colour statues that look like Michelin men, through crocheted or needle point rug hangings. When I was there there were lots of young kids creating in the space inspired by the artist’s work.
Pics below gives a sense of Negroho’s art
Collage plays a part in lots of great art. The Art Gallery of NSW has put together a small exhibition of some wonderful works from their collection over time. One of the lovely features of this exhibition is the variety and different styles.
There are a couple of Rober Klipel pieces that show the diversity. One is 796 – a hard metal free standing sculpture of collected elements and another is Philadelphia – a wall mounted collage of black and white photograph of many metal elements..
The one in the exhibition that I have loved for many years is the Tony Albert – Head Hunter. Having grown up in the fifties my world was full of heads of Indigenous people stamped on household items. My relationship with this artwork has changed over time but my love for it and its confronting nature has not faded from my fist seeing.
There are heaps of others but these three are the ones I love most.
5 May – 30 October 2016
One of the hats I wear is that I am a Middle School History teacher. We study the Middle Ages and the voyages of discovery so the idea of an exhibition about The Search for Longitude combined professional learning and fun. The Australian National Maritime Museum is the right place for this exhibition and their exhibitions are always thoroughly researched and intelligently mounted.
I am in awe of this exhibition. It intelligently tells the story of the quest for an accurate way to establish longitude while sailing around the world. They track the scientific integration with government quests to solve the problem. There is a marvellous textual and pictorial narrative of the larger than life characters involveed and the intense competition and rivalry between people involved in the quest.
The bit I liked the most was that they had working examples of the various clock like devices and lots of other instruments such as sextants. I was riveted to the wonderful text panels and other display materials
The saddest part of this exhibition was there was a ban on photography in side so I have only included two pics taken of the publicity materials on the way up to the area where the exhibition was held.
This was a great experience and it is an exhibition at the right place.
2 September 2016 – 5 February 2016
I have seen many exhibitions including the work of Harold Cazneaux. Eagerly I went to this one because the crisp targeted beauty of his photographs is something I never tire of.
This exhibition is a fabulous bringing together of the great many photographs he took of the Sydney harbour during his life time. His photos record the work life of ordinary people on the harbour. He lived through the construction of the Sydney Harbour Bridge and that is recorded here. Sydney has always been a working port and there are lots of ships of various kinds being loaded, unloaded, travelled in and repaired. The harbour is a recreation site and Caszeneaux records that aspect as well.
Black and white photos have a grimy look to them but they record an era that was hard working, and functional with not a lot of attention to glossing things up.
There are some sample pics below but it was great to see all 100 on the wall. Two delightful features of the exhibition were the matching on about 10 panels of current day colour shots of the same place in some of Caszeneaux’s shots and a historical timeline blending his life with contemporary events.
Webpage with sample pictures
Some of my pics
The blurb for this show on the MCA website.reads:
Telling Tales: Excursions in Narrative Form explores the varied, inventive approaches taken by leading Australian and international artists to narrative form. Using diverse materials including light, fog and hand-typed text, their works pick apart conventional story-telling approaches to reconsider ideas around structure, duration, repetition and fragmentation.
Breaking away from a traditional linear format, their works instead offer cyclical and open-ended stories, narration through non-verbal communication or silence, and mysterious, incomplete narratives constructed through fragments and clues. Questions around authorship, truth and fiction emerge through some artists’ works whilst others embrace oral histories and live durational events, including shadow puppetry and opera, to convey their stories.
The items on display are remarkable in the range of ways in which they engage narrative and text. There is a remarkable of set of Indonesian shadow puppets. There are villages with landscapes made from piled up letters. There are poems from cut and pasted text. There are maps on which journeys are drawn out to show where the traveler went. There are delightful paintings made using coffee instead of paint.
Some sample pics are below.