I have been a fan of Glenn Murcutts architecture for a long time. I have been a fan of Islamic architecture for even longer. When I found out that Murcutt has been asked to work with the Melbourne Islamic community to prepare a building for them to centre their shared lives on I was excited.
There is currently an exhibition at the National Gallery of Victoria, Federation square that shows the designs, the developing thinking and the community consultation involved between Murcutt, the community and one of their architects to bring about a remarkable centre for worship, education and socialising. The exhibition did not disappoint and next visit to Melbourne I hope to visit the completed centre.The website has an essay and some pictures of the plans and the build.
Some areas of creativity evoke awe in me. High end jewellery is one such area. Bulgari have been a standard setter in the field for around 100 years. Their styles have led the market in decade after decade, Their products have decorated celebrities at all the right events and they still have a reputation for creativity and excellence.
At the NGV right now there is a glitzily mounted exhibition of items from the company’s heritage collection and it demonstrates all the features of their craft. Mounted in glass cases with notes “Do not touch the items” are a collection of sumptuously laid out integration of jewellery,high quality metals and gemstones. There are notes that explain their connection to significant people and events. My phone battery had gone dead so I have put below the gorgeous website of the Bulgari Heritage Collection so you can get the sense of these extraordinary creations.
The Australian Centre for Contemporary Art is housed in a startling building having never been there for we parked on the north side walked around three sides to find the entrance. The building is made of windowless rusted metal panels surrounded by pale gravel and paths. The interiors are white varied in size and height.
The exhibition we saw was of the work of Ulla Von Brandenburg. It consists of videos, objects and photos. Many of the video clips have an eerie vibe about them through use of black and white and shadow with often low definition. The biggest screen stand out because it uses a limited palette of strong plain colour. I found myself trying to think through the relationships between the different elements and failed. I found bits of this very engaging and other bits less so.
It is a great space and there was lots to engage the brain with in her work.
The National Gallery of Victoria is awesome at Asian creative product over the last few thousand years. Currently there is an exhibition featuring the construction of functional and creative products out of bamboo. The artistry is enough to make you drool. Some of the work are challenging in their form and shape others are small and tight for functional use.
The magic of this exhibition is the blending of long term traditional arts and skills with both historical functions and modern creativity. The range of products and the diversity of styles and colours is surprising considering it is all the result of work with the simple material – bamboo.
See some sample pics below and then the NGV web page for the exhibition
Single room exhibitions often make a big impression. Scale in this exhibition is key, This ngatu (painted tapa) exhibition consists of three monumental bark cloth wall hangings created by contemporary artists, Robin White and Ruha Fifita in collaboration with the women of Haveluloto, Tonga.
As you walk into the space there is what looks like a carpet stretching across the great room and up the opposite wall. Close inspection shows that with folds it is almost twice the width of the room and is beautifully illustrated. The cultural elements on these tapa cloths are clear. The story that is being told is one of migration both of fish and humans.
I love the scale and beauty of this set. Here is the page link and some phone pics.
The blurb on this reads initially The NGV presents a spectacular new installation by renowned Berlin-based, Danish contemporary artist Jeppe Hein. Constructed from evenly spaced upright forms made of highly reflective stainless steel, Semicircular space 2016, invites visitors to become immersed in a nautilus-like labyrinthine form.
The walk through is fun. As you walk through the curved, reflective, stainless steel, evenly spaced, paling like elements, you see yourself, other walkers and people walking past both in the gaps and in the mirror like surfaces. It is constantly changing and and unpredictable experience.
The web page with some pics and an essay is at the following address
This is “An exhibition by renowned national and international artists, examining issues of racism.” and it sure does what the blurb says.
Vernon Ah Kee, Richard Bell, Destiny Deacon, Gordon Hookey, Dianne Jones, William Kentridge, David Sequeira, Wani Le Frere, and Vicki West are the exhibiting artists.
William Kentridge created a remarkable black and white charcoal animation dealing with exploitative mining. Richard Bell has exhibited a confronting video of racism teased out in a psychiatrist’s room. David Sequeira’s black and white pop art inspired expression of many of the issues he has faced as an Indian in Australia is a visual feast.
I loved the set and it was good to meet Wani Le Friere at the gallery who had contributed some great compositions which deal with fashion and race.