15 June – 2 July 2017
Jill Mail has a gift for revealing people using watercolour paint. Her exhibition at M16 includes some delightful faces and personalities in simple format face portraits. It is always fun to come face to face with another human being rendered by an artist.
The blurb reads:
As an artist who has always painted in water colour, Mail has taken on the challenge to paint portraits from life in this medium.
The artist states ‘I attempt to paint swiftly but accurately and to convey a likeness and personality of the sitter. I do not take photographs. Water colour is unforgiving but I continue to persevere & enjoy the struggle with this fascinating medium. Sometimes I am pleased with the result.’
Sample pics below
Prizes are problematic. The exhibition of the National Photographic Portrait Prize is the result of a judging panel of three, assessing a large collection of submissions of photographic portraits.This year their decision is one of the most baffling in all the years I have attended the exhibition.
We only see the shortlisted ones but within the exhibition there are dozen’s of photographs that eclipse the bland ordinary snap that has been nominated as the winning picture. Within the exhibition there are truly rich faces, bodies, relationships and contexts that are represented in complex inter-relationships with each other that engage the viewer with their detail and content.
I have placed some of the better examples below in phone pic.
The following link has the judges and the prize winners listed .https://nppp.portrait.gov.au/.
13 Jan – 26 March 2017
In the time before his execution, mentored by among others the Australian painter Ben Quilty Myurun Sukumaran deeloped a remarkable gift of painting. In collaboration with his family and exhibition of his remarkable works is on display at the Campbelltown Arts Centre right now. The works are remarkable. They engage with his experiences and his take on the world around him. The paintings include some of family and friends and also politicians. Some of the more confronting images include a bullet and a painting on a large white wall of the weapon that was ultimately used to kill him.
He clearly had a talent but more than that this exhibition confronts the viewer with the death penalty, the war on drugs, politics, culture and hope of all things.
The works are accompanied by responses to Sukumaran’s work from six other artists and several of those are remarkable also. I truly wanted to see this and it was everything I hoped it was,
Some selected images below. The gallery has a full catalogue available with the exhibition
November 11 2016 – March 13 2017
David Hockney has an exhibition of the last decade of his work in the temporary exhibition space at the National Gallery of Victoria. It is everything I hoped it would be and more. Most of the art was created on and Ipad in a package called Brushes. He has worked from that to then print his work in large multi panel works that area lmost life scale.
You enter the space with red walls and a wall paper like look of maybe a hundred artworks unframed and pinned abutting each other around the outside wall with four large pillars in the centre space that are bedecked with either large portrait layout flat screens of sets of Iphones on which annimations or sequences of his works are displayed.
The second room is a dsplay space on which a famous forest scene he painted is reproduced on all four walls that makes it look life size
There is a long almost palace like room again in a rich red and the walls are lined with portraits of people in David Hockney’s life. They were painted in three days each and there are 82 people done in the last three years.
The feature of this exhibition I loved the most and found almost enthralling were the stroke by stroke creations of artworks. On Flat screens in various places the Brushes app used to create the work can be set to replay te construction of the artwork andyou can sit there and watch as line upon line colour upon colour a final work of art is created as you watch. I found it lots of fun to stand and watch in wonder from some basic lines through to a highly detailed artwork that emerged.
Being from Canberra I have now stood for hours in front of David’s Grand Canyon in the National Galllery of Austrralia. I have seen several documentaries about various aspects of his work and was rapt to be able to spendtime with his most recent decade’s work.