Occasional visits to the National Gallery reap visual feasts. Some months ago I visited and go to walk through a set of works titles Abstract Expressionism. The choice was delightful and there are some samples below.
Till Sept 20th 2017
Plan to take a few hours or several visits if you want to take in this exhibition. The range and complexity of the works on show means it takes lots of time to engage with the abundant creativity.
There were grand explorations of traditional.arts from both Aboriginal and Torres Strait Islander sources. They are joined to huge numbers or works of modern and technological styles of creations.
In the entry way to the NGA is a Rolls Royce painted in tradition art style. In the exhibition is a video of the artist driving that car and that activity brings together lots of remarkable visual traditional elements. The driver turns into a large area of red dust and by driving in various circles at high speed he digs up the red dirt creating patterns and a vast amount of red dust. The beauty and layered elements of the video production and were wonderful.
I will go back as we only had 90 minutes today. The exhibition is hard as it traverses complex territory of history, political comment, layered cultural interaction and many aspects of the underbelly of human society. I have included a few pics below but the only sensible thing to do with this exhibition is to go – it is free.
11 March 20 – August 2017
Video installations are often fascinating and some engage in rich ways. There are two vivid free flowing abstract videos on two wall sized screens accompanied by an invitation to lie on the floor to watch it all unfold. The images are abstract and nature based free flowing images have an almost psychedelic light show aesthetic about them except that the images are much crisper and have more recongisable content.
Below is the web link to the NGA page for this exhibition:
The National Gallery brought together a set of works in their Australian area to reflect the great gifts and varieties of artists who recorded aspects of the experience of World War One.
The blurb for this reads: This powerful exhibition addresses wartime propaganda, front-line experience and remembrance through paintings, drawings and prints by Official War Artists, combatants and women. It also features a special focus on the remarkable artist Will Dyson.
The works range from standard historical recording of historical events and people to extremely brutal representations of the violence of war.